ENGL 222 (3 cr): Literature in Canada

ENGL-222

Course Description

This course is an introduction to the reading, enjoying, and critical study of Canadian Literature—poetry and prose fiction (and non-fiction)—from the earliest examples to the present. Since well before the Confederation of 1867, various versions, visions, and constructions of the nation of “Canada” have been debated. The amorphous beginnings of what is now both a “nation” and a “national” literature began to coalesce after 1867 and solidified during Canada’s involvement in World War I. The vexed question of “Canadian identity,” however, has become an ongoing and unanswered riddle. The nature and definition of the country, its literature, and its identity constitute a philosophical, psychological, political, cultural, and emotional debate which often finds literary expression. With the legislation and implementation of the contentious and problematic official governmental policy of multiculturalism, this debate has become more complex and, often, more acrimonious. The course includes the work of ethnic majority and ethnic minority writers, those who have been included in the canon of Canadian Literature and those who have been marginalized.

A close critical reading of several examples of Canadian poetry and prose will highlight important thematic and technical concerns. The multiple cultural and geographical influences—French, British, American, Native, ethnic, regional—of which the country consists and the political and historical background will also be examined and discussed.

N.B.: English 222 is not a remedial composition course. Neither does it attempt to provide a recipe for good writing. English 222 assumes that students do not have serious deficiencies in their writing; those who do should seek expert tutorial help as soon as possible.

Course Structure and Outline

Due to the breadth of coverage, the course is designed in a series of fourteen “clusters.” In each cluster, there will be from one to nine topics. Below are the clusters:

  1. Course Overview
  2. Thinking about Canadian Identity/Culture, and Canadian Literature
  3. Pre-1867 Reporters: Narratives of Exploration, Travel and “Discovery”
  4. Pre-1867 Reporters: Narratives of Settlement
  5. Canadian Romanticism: The Major Confederation Poets
  6. Canadian Modernism: Poetry
  7. Canadian Modernism: Fiction
  8. Post World War II Poetry: 1940s-1950s
  9. Post-World War II Short Fiction
  10. Native Representation: Green Grass, Running Water
  11. Post-World War II Poetry: 1960s-1990s
  12. Post-World War II Short Fiction Continued
  13. Post-Shoah Jewish Fiction: Barney’s Version
  14. Review, Final Examination Preparation, Self-Evaluation

Course Textbooks and Materials:

Required Textbooks

Students will need to purchase the following course textbooks—new or used:

  • Bennett, Donna, and Russell Brown, editors. An Anthology of Canadian Literature in English, 3rd ed., Oxford, 2010. (This is the primary textbook for the course. It contains most, but not all, of the readings contained in the course)
  • King, Thomas. Green Grass, Running Water. 1993. HarperPerennial, 1999.
  • Richler, Mordecai. Barney’s Version. Knopf Canada, 1997.
  • ENGL 222 Custom Course Material

Optional Resource Texbooks

  • Harmon, William. A Handbook to Literature, 12th ed.. Pearson, 2011. [An excellent dictionary of literary terms]
  • Canadian Oxford Dictionary. Edited by Katherine Barber, 2nd ed., Oxford, 2004. [A good desk dictionary]
  • Oxford Advanced Learner’s Dictionary. Edited by Margaret Deuter, et al., 9th ed., Oxford, 2015. [Recommended for students for whom English is a second, foreign, or additional language.]
  • Fowler, H. Ramsey, and Jane E. Aaron. The Little, Brown Handbook, 13th [US] rev. ed., Pearson, 2016. [A good handbook of English]
  • Strunk, Jr., William, and E. B. White. The Elements of Style, 4th ed., Allyn and Bacon, 2000. [A classic style book]
  • Griffith, Kelley. Writing Essays about Literature: A Guide and Style Sheet, 9th ed., Wadsworth, 2013. [A helpful guide for writing literary essays]
  • Hawthorn, Jeremy. A Concise Glossary of Contemporary Literary Theory, 4th ed., Bloomsbury, 2000. [A useful glossary of literary theory]

Course Assessment and Requirements

Each student is expected to participate fully in all class activities (reading, writing, discussion, group work, etc.). Each student will write one short analytical paper and one longer term paper, keep a Response Journal, participate in a collaborative presentation, and sit the English 222 final examination. A student’s course mark will be determined by
the following breakdown:

Participation
10%
Response Journal (RJ)
10%
Group Presentation
10%
Mid-Term Essay
15%
Term Paper (1,500-2,000 words = 5½-7 typed pages)
25%
Final Examination
30%
100%

ENGL222 Textbook Order Form